Review: Music and Humanism: An Essay in the Aesthetics of.

Music and Humanism - R. A. Sharpe - Oxford University Press Robert Sharpe examines the humanist conception of music as a language--as expressive and intelligible--which has been a dominant theory in Western culture. He argues against the view that music is expressive by causing certain states in us.

Editorial team. General Editors: David Bourget (Western Ontario) David Chalmers (ANU, NYU) Area Editors: David Bourget Gwen Bradford.

The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art.

Music and Humanism: An Essay in the Aesthetics of Music by R. A. Sharpe (2000-02-15): R. A. Sharpe: Books - Amazon.ca.

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Classical music and humanism.. where they are made conscious in an aesthetic whole. Music is an art that touches the depth of human existence; an art of sounds that crosses all borders. The drives that define our life, operate under the surface of consciousness, but they bubble-up regularly, either in a supporting or in a disruptive way.

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History: Aesthetics and European classical music 18th century. In the 18th century, music was considered to be so far outside the realm of aesthetic theory (then conceived of in visual terms) that music was barely mentioned in William Hogarth's treatise, The Analysis of Beauty.He considered dance beautiful (closing the treatise with a discussion of the minuet), but treated music important only.

The Meaning of Music: A Study in Psychological Aesthetics. Carroll C. Pratt. New York: Johnson. Keywords Music Psychological aspects Music Philosophy and aesthetics: Categories Aesthetic Cognition in Aesthetics. Aesthetics. Aesthetics and Emotions in Aesthetics (categorize this paper. Music and Humanism: An Essay in the Aesthetics of.

Music Introduction Essay. Since a negative attitude is a contradiction to adopting an aesthetic attitude, all aesthetic listening is positive. To adopt an aesthetic attitude it is not necessary to develop a personal theory on aesthetics; it is only necessary to understand that it is possible to interact with music and sound aesthetically.

Music and Humanism: An Essay in the Aesthetics of Music. R. A. Sharpe - 2000 - Oxford University Press. Bridge of Waves: What Music is and How Listening to It Changes the World. W. A. Mathieu - 2010 - Shambhala. Teaching the Aesthetics of Music Today. Giovanni Guanti - 2009 - Topoi 28 (2):125-128.

This article examines the role of the aesthetic in the criticism of Edward Said through a reading of two lesser-explored texts, Musical Elaborations (1991) and On Late Style (2006). It explores how, by drawing upon ideas from Gramsci and Adorno, Said advocates a convergence of social and aesthetic approaches to musical analysis and criticism.